Aadi Anant
Taufiq Qureshi |
On January 25th, internationally renowned
percussionist Taufiq Qureshi performed with Niladari Kumar (sitar and
zitar), Gino Banks (drums), Satyajit Talwalkar (tabla), Sheldon D’Silva (bass)
and Angelo Fernandes (keyboard). Taufiq Qureshi, one of India's ace percussionists, is also an acclaimed composer. He is the son and disciple of the
legendary tabla maestro Ustad Allah Rakha Khan and brother of Ustad Zakir Husain.
He is not only rooted in Indian rhythms, but also has a phenomenal command over
contemporary world percussion. He has performed at prestigious music festivals across the world and has also released many albums. He featured on the 2009
Grammy award winning album, Global Drum Project. For that evening’s
performance, he played the ‘djembe’. Taufiq said that the ‘djembe’ is an African
drum, but he plays it like the tabla. Since tabla is a descendant of the
Persian ‘tabal’, he calls his instrument the ‘tabal djembe’.
Niladari Kumar |
Niladari Kumar is the son and disciple of sitar maestro
Pandit Kartik Kumar. He started learning sitar at a very early age. He has a
lineage of five generations of sitar players and this, coupled with many years of learning, has led
to a mastery of technical skill and a profound understanding of diverse gharana
styles. He is hailed as the more serious young exponent of Indian classical
music and yet can connect to the progressive music lovers. He has many
performances, albums, and awards to his credit, notably the prestigious Sangeet
Natak Academy award won in 2007. For the evening, he played on sitar and the
zitar, an electric sitar. That’s what he described the new instrument as, and
let it speak for itself.
Gino Banks |
Angelo Fernandes |
Sheldon D'Silva |
Gino Banks was on the drums. He is the son of the legendary jazz
musician Louis Banks. On the bass guitar was Sheldon D’Silva, the tallest and
heftiest member of the group. Satyajit Talwalkar on the tabla is the son of
Suresh Talwalkar, a great tabla player. Jazz pianist and composer Angelo
Fernandes, who has worked for Bollywood movies also, was on the keyboards. That
evening, besides skill, there were a lot of great genes there too!
In the backdrop was a reproduction of a
painting titled ‘Bhoomi’ by S H Raza. It was a perfect symbol for the theme of
the evening.
Taufiq began the concert with the sounds of breathing, which he said was the first rhythmic sound a baby hears. Life is sustained by rhythms. Then each of the musicians played individually. Niladari began with soft soulful music which then transformed into fusion contemporary music on the zitar. Both were equally mesmerizing. Gino played on his drums with a lot of flair, twirling his sticks and setting the heart racing with his pulsating beats. Taufiq played on the djembe in classical ‘kayda’. He also played the sounds of a train moving, two trains going in the opposite directions and then a train going over a bridge. Satyajit is very versatile on the tabla. He played classical Indian beats as well as fusion. Sheldon played on the bass guitar as nobody else could. His technique and the way he struck the cords were very different. Taufiq and Niladari did a classical jugalbandi which was very melodious. The three percussionists played together and the music they created was fantastic. Finally, the entire group played together with Niladari on the sitar and then on the zitar. Lastly they played ‘Raghupati Raghav Raja Ram’. It was a confluence of instruments, musicians and music styles. It was an evening of a classical Indian rock concert.
Taufiq began the concert with the sounds of breathing, which he said was the first rhythmic sound a baby hears. Life is sustained by rhythms. Then each of the musicians played individually. Niladari began with soft soulful music which then transformed into fusion contemporary music on the zitar. Both were equally mesmerizing. Gino played on his drums with a lot of flair, twirling his sticks and setting the heart racing with his pulsating beats. Taufiq played on the djembe in classical ‘kayda’. He also played the sounds of a train moving, two trains going in the opposite directions and then a train going over a bridge. Satyajit is very versatile on the tabla. He played classical Indian beats as well as fusion. Sheldon played on the bass guitar as nobody else could. His technique and the way he struck the cords were very different. Taufiq and Niladari did a classical jugalbandi which was very melodious. The three percussionists played together and the music they created was fantastic. Finally, the entire group played together with Niladari on the sitar and then on the zitar. Lastly they played ‘Raghupati Raghav Raja Ram’. It was a confluence of instruments, musicians and music styles. It was an evening of a classical Indian rock concert.
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